Delmer Daves’s Dark Passage (1947): Summer of Noir GIFs, Day 4

Nitrate Diva

Whenever there’s mention of first-person POV camera, the word gimmick is never far away. 1947 was both a very good and a very bad year for this device, what with Robert Montgomery’s epically awkward opus The Lady in the Lady proving that the technique could be used as a murder weapon. It kills the movie and slays our patience.

By contrast, Dark Passage, another 1947 film noir, arguably handles the extended first-person camera gimmick better than any other movie before or since. Director Delmer Daves deploys it for maximum dynamic impact without slavishly restricting perspective.

dark_passage

The POV effect works most thrillingly during the opening sequence, a masterclass in economical storytelling. As the barrel carrying San Quentin escapee Vincent Parry rolls down a hill, the audience rolls down the hill with it, peering out of the circular opening at the blurry vegetation whizzing by outside.

Of course, we have no background on…

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